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book review

Flies: The Natural History and Diversity of Diptera, by Stephen A. Marshall

People are always going on about how Beetles are so diverse, biologists are always explaining to theologians that God must really love Beetles*, and whenever anyone asks “What’s the most diverse group of organisms?” Beetles are always top of the list. UNTIL NOW.

*in case you don’t know the anecdote this is referring to, the earliest source (according to quoteinvestigator.com) runs thus: “There is a story, possibly apocryphal, of the distinguished British biologist, J. B. S. Haldane, who found himself in the company of a group of theologians. On being asked what one could conclude as to the nature of the Creator from a study of his creation, Haldane is said to have answered, “An inordinate fondness for beetles.”” (Hutchinson 1959).

Stephen Marshall proposes in his magnificent volume on the diversity of flies that there are historical reasons why beetles are held up as so diverse when the truth is that they might just be more closely studied than other insect groups… other groups like the order Diptera (true Flies), for instance. And if you read through this 600 page volume loaded with superb photographs and covering every single family of flies in some detail you will come away with the powerful impression that Stephen Marshall is on to something. Flies, a group often neglected because they don’t always photograph well, many look very similar to each other, and a lot of them have distasteful feeding habits, are showcased as the hyper-diverse evolutionary marvel that they are.

Metallic Green Long-legged Fly (Condylostylus sp.), photographed in my backyard, June 2018. I’m just going to post some of the many interesting flies that I’ve photographed myself throughout this article. Stephen Marshall mentions that digital photography is opening up the realms of entomology to amateurs in a way that hadn’t been possible in the past. I wholeheartedly agree!

The book’s first part: “Life Histories, Habits and Habitats of Flies” runs through a sampler of what flies do as larvae and adults. This includes the life cycles of Diptera in general, but elaborates on more specific groups where appropriate. Other sections in this part describe flies interacting with plants, fungi, invertebrates and vertebrates. This entire section comprises about 90 pages and goes into considerable detail on specific guilds* such as the worldwide coastal communities of “wrack flies”, flies that have larvae that feed within decomposing piles of seaweed washed upon shores. Along with the various interactions between flies and invertebrates, this section also includes a discussion of the many human diseases caused or carried by flies such as mosquitoes (Family Culicidae) or house flies (Musca spp.).

*A guild is a group of animals that are united by a common feeding strategy or resource use, but not necessarily united in relatedness. For example, flies from different branches of the Dipteran family tree are considered part of the leaf-mining guild if their larvae produce mines in leaves.

Eutreta novaboracensis, a Fruit Fly of the family Tephritidae, photographed in my backyard, June 2018.

The second part of the book is titled “Diversity” and reading through this catalog of fly families and subfamilies truly does drive home just how incredibly diverse the Order Diptera is. Each chapter covers a large portion of the fly family tree and opens with a diagram of the proposed relationships between the fly groups within. This opening section of each chapter moves from family to family, and describes the basic characteristics of each group detailing subfamilies where possible as well. Within these descriptions are not just lists of characters used to distinguish one family from another but also the basic biology of each group when known. A couple of key things to note here: even when dividing up the flies into smaller and smaller groups it can be hard to generalize because you are still dealing with huge swaths of species in some instances and in others you are simply dealing with species doing very different things despite their close-relatedness. Marshall does a good job of explaining this and I’ll provide an example here from the section on Tipulidae (the Crane Flies, of which there are more than 15 000 described species): “Although most larvae with known biologies are saprophagous and eat microbe-rich organic matter (normally, decaying plant material) in wet environments, some crane flies are predaceous, fungivorous or phytophagous… Some groups have become specialists in extreme environments such as caves, marine intertidal zones and deserts, but most occur in humid forests and wetlands. Most Tipulidae are unknown as larvae.” (Marshall 2012 p. 110).

Crane Fly (Tipula sp.) photographed on the Lynn Valley Trail, May 2018.

The above quote demonstrates the way in which Marshall overviews the lifestyles of the fly groups providing tantalizing glimpses of their diverse life histories, but it also provides an example of something that is rife within the 600 page volume: the overwhelming amount of flies or fly habits that are unknown. To demonstrate, here are some quotes from throughout the book (Marshall 2012):

“Valeseguya rieki is known only from a single male specimen” (p 136)

“Larvae and larval habitats of the Lygistorrhinidae remain unknown” (p 141)

“Nothing is known of the biology of these obscure little flies [Ohakunea]” (p 141)

“adults of Oreoleptis (and thus the family Oreoleptidae) have yet to be collected in the field” (p 198)

“The 500 or so species of Acroceridae occur in every part of the world, but most are known from only a few specimens” (p 205)

“Essentially nothing is known about the biology of either Apystomyia or Hilarimorpha” (p 235).

“Even though signal flies [Platystomatidae] are usually conspicuous and attractive flies, many species remain undescribed.” (p 332).

“Larvae are unknown for most species in the family [Lonchaeidae] and little is known about behavior” (p 335).

“The biology of most Pallopteridae species remains unknown” (p 339).

“The truth, however, is that we know almost nothing about the life histories of these bizarre flies [Ctenostylidae]” (p 340)

“Nothing is known about the biology of this group [Nothybidae]” (p 348)

“Despite a worldwide distribution, with about 140 known species spread over every zoogeographic region, not much is known about asteiid biology.” (p 363)

“Nothing is known of the biology of the Neotropical dwarf fly genera [Periscelididae]” (p 365)

The quote list above is not comprehensive, but rather a sampling to show some of the many groups of flies that are mysterious despite their ubiquity in some cases. I don’t want the quotes above to be taken as evidence that the book contains little in the way of information on the flies of the world, seeing as so little is known overall. On the contrary, this volume is chock-full of biological details found nowhere else except the specialized literature and I found myself blown away by many intriguing and fascinating descriptions of fly families and subfamilies. Below are a few of the more interesting groups I had never encountered before reading through this book.

Frog midges (Corethrellidae) are attracted to singing frogs where the females feed on the frog’s blood. Some Phorid flies lay their eggs inside ants, where their larvae consume the ant’s head from the inside. After feeding within, the larvae decapitate the ants and pupate within the armored shelter before emerging as adult flies. These flies are known as ant-decapitating flies, and there are more than 300 species of them in the genus Apocephalus. Vermileonidae is a family of flies known as “wormlions” which are essentially the antlions of the diptera, their larvae constructing cone-shaped pits to trap wandering insects for prey. The Fergusoninidae is a family of flies that “develop only in galls induced by a specialized and codependent group of nematodes” (Marshall 2012, p 366).

Probably my personal favourite are the smoke flies. The smoke flies, platypezid Microsania spp., are attracted to fires (even campfires) but are rarely seen elsewhere. The smoke fly swarms are often followed by the predatory empidid dance fly Hormopeza which “seems to be a specialized predator of smoke flies. Like Microsania, the smoke dance flies are rarely seen except when they appear in plumes of smoke.” (p 298). I feel like the smoke flies, a group of species that can be attracted to something as common as a campfire, and yet are known from basically nowhere else (and thus poorly understood biologically) perfectly encapsulate the mystery and wonder of flies that I have gained from reading this book.

All of this fascinating information is found within the comprehensive and authoritative text, and after going through family by family in this fashion, each chapter in the “Diversity” section has a “photographic guide” portion which covers representatives of most subfamilies with further notes on natural history and significance of genera pictured. The scope of the pictures is mind-boggling and further bring home the diversity of flies, as well as their surprising beauty.

Transverse-banded Flower Fly (Eristalis transversa), photographed in my backyard, September 2018.

The final, shortest section covers collecting, preserving and identifying flies, and contains notes for those interested in starting insect collections of their own (as in, pinned specimens) as well as keys for identifying the major fly groups.

I can honestly say that if this book were published with only the text portions I would buy it because the text is just that valuable in overviewing the enormous diversity of the fly families. And I can also say that if this book were published with only the pictures and captions, I would also buy it for the incredible amount of biodiversity on display, captured in wonderful images of flies from around the world.

I cannot recommend this book highly enough. If you are an insect enthusiast, if you are at all interested in the diversity of life and if you enjoy gasping at revelations about the tiny wonders that flit around the world you have to read this book.

References:

Hutchinson, G. E. 1959. “Homage to Santa Rosalia or Why Are There So Many Kinds of Animals?” The American Naturalist, 93(870), 145–159. http://www.jstor.org/stable/2458768

Marshall, Stephen A. 2012. Flies: The Natural History and Diversity of Diptera.

For previous book reviews, see:

The Paleoartist’s Handbook, by Mark Witton

The Social Biology of Wasps, ed. by Kenneth Ross and Robert Matthews

Pterosaurs, by Mark Witton

Flora of Middle-Earth, by Walter Judd and Graham Judd

And for a podcast review, see:

The Field Guides

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book review

The Palaeoartist’s Handbook, by Mark Witton

I’ll start by saying that I’m no artist. And I have no intention of trying to become one in any form, let alone a Paleoartist (specializing in artistic reconstructions of living things known from fossils). That being said, I can heartily recommend this book to anyone interested in fossil animals, ancient ecosystems, or even just beautiful illustrations of both. The truly impressive quality of this book is that I can even recommend it to someone interested in living animals, as there’s much within that describes how living animals look and function and how that’s applied to the past.

The subtitle of this book is “Recreating prehistoric animals in art”, and the book essentially delves into the process of how one can look at fossils and interpret them into a fully realized organism. The first two chapters define Paleoart (= the subtitle of the book, see above), and go through a brief history of the genre. The history was quite interesting, demonstrating how interpretations of fossil organisms, and the methods used to examine and reconstruct them have changed through the years.

Chapter 3 is titled “Researching, Resource Gathering and Planning a Paleoartwork”. At first glance, this chapter seems to be aimed directly at one who is actually going to create Paleoart, and as I said earlier that’s not me! As with this entire book, however, the focus is on the research itself, and the animals themselves and the principles of imagining and portraying extinct life. So this chapter was actually quite interesting for myself, as someone looking for information on how we believe extinct animals looked. Additionally, there’s a table at the end which lists “Paleoart Memes” which was quite fun to read through. From Marine Reptiles being portrayed as almost fully exposed on the surface of the ocean to the constant violence and roaring of prehistoric creatures, this table is a compilation of ideas that are often repeated in Paleoart but are unlikely to be accurate portrayals of the animals involved. Of course prehistoric animals would have occasionally vocalised, and of course ocean-going animals occasionally spend time at the surface, but the constant repetition of these scenarios is what creates a false impression of the prehistoric world. Animals today don’t habitually yell at each other, especially not while pursuing prey. It’s counterproductive for a Lion to keep roaring while it’s chasing down a gazelle, just as it’s unlikely that Tyrannosaurs unleashed a scream every time they burst from cover after some hapless hadrosaur.

The next 5 chapters (comprising about half the book) are titled “Reconstruction Principles” with various subheadings. This section delves into the nitty-gritty of how we know what we know about extinct animals, and how to find out more. I appreciated the fact that these chapters, while dealing with reconstructing extinct animals, continually offered living examples of the principles being examined so that the ideas presented were always backed by living examples. We can’t KNOW what Tyrannosaurus rex exactly looked like and how it moved without a direct observation of the living animal (which isn’t going to happen without some real sci-fi intervention). We can KNOW what living animal bones tell us about their life appearance and behaviour, and so we can work backward from there. One of the big debates out there about dinosaur life appearance is the visibility of their impressively long and intimidating teeth. For so long dinosaurs’ teeth were prominently on display and exposed to the air and viewer. If we look at living animals, however, we can see that even enormous teeth, such as those of monitor lizards (various Varanus species), are usually concealed within lips most of the time. As with many of these ideas, they are speculative, but looking at the extent of features within living species of animals that we can actually observe help us to familiarize ourselves with the diversity of structures and behaviours and enable us to make better speculation about what extinct animals looked like. This is essentially the theme of this book, and it’s a case that is made wonderfully throughout with countless demonstrations of research on living animals’ correlates between bones and life appearance (as well as trackways, traces and even cave art).

Chapter 9 brings the principles we’ve explored through the middle half of the book to their logical conclusions: “The Life Appearance of Some Fossil Animal Groups”. Using the evidence we have from living species (some of which are related/descended from the fossil species in question), and fossils, Witton describes what many groups of extinct animals may have looked like in life. Absolutely fascinating stuff, this was a wonderful tour through an ancient and unreachable world. The groups covered are all Tetrapods (those ‘four-limbed’ vertebrates from Amphibians to Birds), which is understandable given that adding Invertebrates to the list would substantially extend the book. Some Invertebrates are briefly mentioned in the next chapter along with Plants and surrounding environment: “Recreating Ancient Landscapes”.

The final three chapters are the most artist-focused in the book, detailing how a Paleoartist can depict extinct animals and environments in evocative ways while still remaining true to the science involved. As I’ve said a few times now, I’m no artist, but even these chapters proved interesting reading with analyses of some of Witton’s personal reconstructions and how they may be accurate or inaccurate based on the evidence available.

Finally, I’d like to mention that the book is (probably unsurprisingly) chock-full of wondrous illustrations created by not only Mark Witton himself but a handful of other amazingly talented paleoartists. In addition to this wealth of beautiful paleoart (which in my opinion is worth buying the book for in and of itself), there are countless diagrams and charts that add so much to the presentation of the material. All in all, The Palaeoartist’s Handbook is a fascinating read, full of information about extinct and living animals and ecosystems and detailing how we know what we know about the past. We may not be able to visit past ecosystems in person, but with a book like this, we can begin to truly imagine what they may have been like.

For Other Norfolk Naturalist Book Reviews, see:

The Social Biology of Wasps, ed. by Kenneth Ross and Robert Matthews

Pterosaurs, by Mark Witton

Flora of Middle-Earth, by Walter Judd and Graham Judd

Book Review: Pterosaurs, by Mark Witton
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book review

The Social Biology of Wasps

by Kenneth G. Ross and Robert W. Matthews (ed.)

This book was published in 1991 so it’s certainly not hot off the presses but I’ve recently read it and thought it was worth a Review.

The Social Biology of Wasps is a collection of chapters written by different authors, which can sometimes make the book repetitive but for the most part this volume maintains a consistency of quality and focus that keeps the whole tied together.

The title of this book is key. As much as I would love “The Biology of Social Wasps” this book is more focused than that, instead detailing Social Biology of Social Wasps. The positive side to this focus is that it allows the subject of sociality in the vespids to be explored in great detail, but the negative result is that natural history and basic biology of most species is not discussed in any detail. In this book it allows a more focused discussion, but I would occasionally find it frustrating to find the asnwers to basic questions about the species discussed (what do they eat, what are their nests like, what’s a typical life cycle?) missing or mentioned only in passing in a way that made it difficult to connect some of the arguments of social theory with the species subjects of said arguments/theories.

The first half of the book is called “The Social Biology of the Vespidae”. The chapters in this section begin with two chapters detailing some background on the family tree of Vespidae (where the subfamilies fit) and a very brief overview of the solitary and presocial vespids.

The next six chapters overview the social biology of different groups of vespids. The first, Stenogastrinae, was fascinating to me because it was a group I had never heard of. Stenogastrines are also known as hover wasps and because they’re in the tropics they haven’t received as much study as the temperate wasps. A quote from this chapter will illustrate some of the fascination I felt: “Authors… described with wonder their hovering flight… their shy habits, and their strange, camouflaged nests hidden in the wet and dark parts of the jungle, hanging from roots and threadlike fungi along streams and near the spray of waterfalls.” Another highlight from the chapter on hover wasps was the illustrations of their varied nest architecture, which range from cells lined up in a stack along a stem to cells arranged in a ring, facing inward, creating a donut shaped nest.

There are excellent drawn illustrations through the volume, many done by Amy Bartlett-Wright. Amy is a scientific illustrator and artist who has been doing this now for 35 years. Check out her website: https://amybartlettwright.com/.

These chapters overviewing the subfamilies do well to illustrate what we know and what awaits further study in the social biology of these wasps. They often highlight similarities between strategies but also fascinating differences. One of the comments mentioned multiple times through the book is the influence that ants have had on wasp evolution, as there have been suggestions that they have driven many of the nest designs and defensive strategies of these insects by their relentless ubiquity. A quote that describes this: “There is no potential nesting site in the tropics that is entirely free of ants, many of which readily accept wasp brood as food. It seems likely that the Azteca-wasp nesting associations [an association where Polybia wasps nest inside the nests of Azteca ants, using them as unwitting guards against more dangerous ants] are only the most conspicuous examples of ant-wasp interactions, and that further study will reveal that swarm-founding wasps have as many “words” for ants as Inuit have for snow.”

As I mentioned earlier, these overviews could have done with a little more natural history in my opinion, but as the focus of the book is on the sociality of the wasps, the brevity of such information can be forgiven (the book is already 600 pages long minus the references section).

The second half of the volume is titled “Special Topics in the Social Biology of Wasps”. This half of the book is where repetition between chapters occurs, but usually it’s helpful rather than hindering. Most of the chapters take a particular aspect of the wasps’ biology and use it as a lens to view their sociality through it, demonstrating the various pressures or influences that piece of the puzzle has. For excample, three chapters in a row are about Nutrition, Genetics, and Nest Architecture. Each of these chapters looks at the Social Wasps through their particular focal point and illustrates how it could have provided an impetus for these insects to gain sociality, or at least start them on the path they’re on now. Because of this, it can be repetitive, but usually the repetition reinforces the fact that these are distinct, but not mutually exclusive influences on the evolution and maintenance of sociality. They should be looked at as pieces of the same puzzle, rather than all-encompassing explanations by themselves. One of the most intriguing chapters for myself was Robert L. Jeanne’s chapter “Polyethism” which convincingly demonstrated how individual behaviour can lead to sociality and even maintain it in the colonies of these wasps today, mostly through the comparison of direct reproductive fitness and indirect reproductive fitness.

The chapters on the nests of Social Wasps are fascinating as well, because a nest is something constructed not by an individual as in birds, but by a group of cooperating insects (in many cases, several generations of cooperating insects). These chapters are illustrated with some of the more bizarre nest arrangements (as well as the more familiar) and demonstrate some of the ways in which nest types could develop in relation to each other.

The chapter on the exocrine glands was not particularly fascinating to me, and felt somewhat out of place, since no other chapter dealt with physiology/anatomy of the subject species.

The final chapter, “Evolution of Social Behavior in Sphecid Wasps” was an excellent overview of Sphecid wasps’ social biology. This chapter gave plenty of examples of the diverse paths wasps have evolved down, and the many questions that are raised by viewing comparatively wasps and bees.

Because this book was published almost 30 years ago now, I’m sure that much would be updated and edited in a newer edition. Some of the questions raised will have been answered, many would have branched into further questions. I’m not a professional Social Wasp Biologist, and so I can’t say what those answers are, where the questions now lie, of the focus of such studies are now. I can tell you that as far as I know, there is no other overview volume like this one for Social Wasps. So if you’re fascinated by them like I am and can handle dense science writing, then dive in and learn to appreciate the incredible insect societies that blossom and buzz all around us.

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book review

Pterosaurs, by Mark Witton

Anyone who finds fossil animals fascinating will be delighted by this book by Mark Witton. The science is well-explained, yet in-depth, and the illustrations (photographs of fossils, skeletal reconstructions, and paintings) are incredible.

Pterosaurs begins with several overview chapters to bring the reader up to speed on the basics of pterosaur anatomy and terms, demonstrating some of what we know and what we don’t know about these flying reptiles. The majority of the book details each pterosaur group with a chapter. Here you will familiarize yourself with the ornithocheiroids, pteranodontians, and dsungaripterids. As with many dinosaur names, some of the scientific nomenclature can be a bit tongue-twisting, but by reading this book you will begin to tease apart the differences between pterosaur groups and so become more apt to recognize the names even if you have trouble saying them aloud.

Each pterosaur group chapter has a history of the group’s study, an overview of their anatomy (often highlighting differences and similarities between other groups), hypothesized locomotion (how each group of pterosaurs moved both on the ground and in the air), and ideas about the group’s ecology in the Mesozoic. The history of study was often interesting, seeing how a pterosaur group’s identity changed with new fossils or new ideas about old fossils. The anatomy sections are a bit difficult for myself to get through because I’m not a paleontologist and had to often reference the anatomy overview chapter at the beginning of the book. With the overview diagrams’ help, I was able to comprehend most of what was being described, at the least I was able to recognize the major differences between groups that were being highlighted. The sections on locomotion were fuel for the imagination, conjuring images of how these ancient creatures actually moved through their environments. Witton would often compare each groups’ purported flying ability to a modern group of birds to better convey their distinctive flying style. Of course much of this and the ecology sections are speculation, but Witton provides lines of evidence for and against various flying and feeding modes that have been suggested which brings to light what we know and what we don’t about how these animals lived. The ecology sections are my favourite because I love to imagine the animals as part of the Mesozoic environment, living their lives alongside the plants and animals of their time.

Along with the informatively dense but readable text are the illustrations which are amazing. For each pterosaur group there is at least one skeletal reconstruction of a species along with a fully realized painting of them launching. Besides these, there are photos and drawings of particularly well-preserved fossils. Accompanying each chapter is at least one full-page painting of a scene from the time of the pterosaurs, whether it’s Pteranodon diving into the ocean after a bait-ball of fish, or a Rhamphorynchid investigating a Jurassic snail. These paintings are wonderful at giving life and colour to the fossils and placing these creatures in their setting.

Sprinkled throughout the information-rich text is humour. My personal favourite is a caption for a painting of Azhdarchids which describes them as fleeing the next chapter about pterosaur extinction.

All in all, the book is a wonderfully informative, beautifully illustrated volume, full of descriptions and context for a group that doesn’t get as much press as the Dinosaurs. After finishing this book, you’ll be convinced that pterosaurs were an amazing and unique group of fossil animals as well, that deserve to be treated with the same amount of awe and wonder.

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book review

Flora of Middle-Earth

Despite paying a lot of attention to the little invertebrates that scurry about in the undergrowth, I tend not to pay too much attention to plants. This isn’t on purpose, or because I dislike them for any particular reason, but I think it’s difficult for us to look at them in the same way that we look at animals because they don’t move about (on the same timescale or in the same ways) and they don’t seem to display varied behaviours. If we can move past these false ideas about plants we may realize that life doesn’t flourish against a green background, but rather, the drama of life plays out amid the foliage and thorns and seeds and roots just as much as it does amid the fur and feathers, claws and teeth.

One book that has opened my eyes to this world of green, growing things is Flora of Middle-Earth by Walter S. Judd and Graham A. Judd. 

I have been an avid fan of Tolkien’s mythos and the science of living things for most of my life, so when I found this book, I felt that it had been written specifically for me. What really drew me to the book was that it was written by a world-renowned plant scientist and this knowledge shows through details of plant biology and ecology within its pages. The book succeeds on both a scientific and a literary level, as the author and illustrator understand plants and Middle-Earth extensively. They even draw on the History of Middle-Earth series which are unfinished manuscripts by J. R. R. Tolkien put together by Christopher Tolkien, to fill out the botanical landscape of this fictional, yet powerful world. The first chapters give an overview of plant biology, evolution and ecology, as well as outlining the biogeography of plant ecosystems in Middle-Earth throughout its known history (First to Third Ages). After this, there is a chapter that contains a key to identifying the plants that are detailed through the majority of the book so that if you encountered a plant in our world you could follow the descriptions to its genus or species. This section isn’t particularly useful in my opinion because although Tolkien mentions over a hundred plant groups within his legendarium there are many more plants that exist, so that you could very easily follow the keys to a dead end. Next is a chapter devoted to the two most important plants in Middle-Earth: Telperion and Laurelin, the Two Trees of Valinor. This was interesting, seeing where Tolkien might have drawn his inspiration for the fictional Trees from plants that exist in our time and place. 

Following this is the largest section of the book which runs through over 140 plant types mentioned in Tolkien’s writings. For each plant, there is a quote containing a mention of it, a general overview of its place within Middle-Earth ecology and culture, a study of the plants names (how Tolkien can you get?), a description of the plant’s ecology and biology in our world, a mention of its place in human culture and a botanical description of its form. Alongside this impressively detailed treatment, many of the plants receive a woodcut-style illustration which shows them in the context of Tolkien’s stories and world. 
The final chapter is a Note from the Illustrator, so if you’re interested in this book primarily for the artwork, there is a description at the end of how and why he created the illustrations the way he did.

Part of what enhanced my appreciation of the book was reading it while in Algonquin Provincial Park, a place filled with memory and meaning for myself, just as Middle-Earth is. Reading about a plant’s place in Tolkien’s writings while encountering some of the same plants in Algonquin Park was an experience that is a microcosm of what is so special about this book and the Tolkien legendarium as well. Tolkien’s writings shed a new light on the world around us, just as this book sheds light on a piece of that world (Middle-Earth) and our own world.

The greatest accolade I can give this book is that I learned a lot about Tolkien’s Middle-Earth and the ecology of plants in our own world. If you’re interested in either of those things, I would highly recommend this excellent, beautiful book.

Algonquin Park in Autumn.